In this mixture of fiction and documentary Krzysztof Zanussi invites a number of Poland’s great actors—Maja Komorowowska, Daniel Olbrychski, and Jan Nowicki—to "revisit" characters they played in the director's earlier works.

Eva is separated from her husband and daughter by the police. A story about taking the consequences of one's choice.

Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.

A dreamlike journey seen through the eyes of a trans-human as well as a kino-symphony of voices from the multiple personas of Fernando Pessoa, Lisbon Revisited shows alternative ways of looking at and hearing the city. Celebrating its greatest phantom and confronting his ambiguous and pervasive sexuality, the film is spoken in the three languages in which Pessoa wrote, Portuguese, English and French.

As we celebrate Ingmar Bergman, one of the greatest directors of all time, we asked how his legacy has affected Swedish filmmakers of today. Bergman Revisited is a compilation of six very different films, spanning from Bergmanesque drama to animated critical satire.

KnitWits Revisited brings us back to the KnitWits' knitting store.

Apulia, 1959: Women in white dresses dance ecstatically in a small chapel. They jump around, roll on the ground, some even climb the altar. They are said to have been bitten by a spider. Their dancing mania requires a ritual exorcism with music. Pictures like these inspired Italian anthropologists to travel to southern Italy. Equipped with tape recorders, film and photo cameras, they tracked down the phenomenon of tarantism. 　　This essayistic documentary follows the wealth of multi-media archive material produced on this research trip. It brings out the voices of the affected women, who turn out to be experts of their own performances. A special relationship developed between the scientist Annabella Rossi and the “tarantata” Michela Margiotta, with their correspondence at the centre of the film. Even today, these images of female frenzy are disturbing, revealing the loss of control of husbands, families, science and the church. In today’s Apulia, the film discovers living forms of tarantism, tamed as folklore, a tourist attraction. There are new poisons that have infested the system. They, too, must be danced out.

The Voice of the Martyrs presents the inspiring new movie Tortured for Christ, a cinematic retelling of the testimony of VOM founder Pastor Richard Wurmbrand as written in his international bestseller Tortured for Christ. This movie was produced to honor the 50th anniversary of the book’s 1967 release. Filmed entirely in Romania, including in the very prison where Pastor Wurmbrand endured torture and solitary confinement, this powerful film uniquely presents the story with live action rather than interviews. The dialogue is presented in English, Romanian and Russian (with English subtitles) to hold to the authenticity of this true story.

Diane, a young woman growing up in Australia in the mid 1960s, walks away from her fiancé to join a convent after being sure she has a calling to the faith. The Catholic Church and its followers are struggling with huge changes. The Pope has died, there is war in Vietnam and mandatory conscription, there is the Vatican controversy on abortion and contraception, and the changing face of the Church as a whole. Told in six parts, Diane faces her own demons and has to finally decide if she can teach what the Church preaches, or if it's simply impossible for her to reconcile all the contradictions of the faith and uphold her vow of obedience.

Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar first exploded onto the West End stage in 1971 and it was clear that the musical world would never be the same again. For the first time ever, Jesus Christ Superstar has been specially filmed for video. Shot at Pinewood Studios, this brand new filmed stage version starring Glenn Carter and Rik Mayall captures one of the best score Andrew Lloyd Webber has ever written and is packed with hit songs including, 'I Don't Know How To Love Him', 'Gethsemane' and 'Superstar'.